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significance, but was meant as a phallic exhibition, a demonstration of power, a threat signal of exactly the same nature as







the helmets hammered into the shape of lion masks which appeared simultaneously. The guy in armour with his















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Journal of Sport History, Vol. 12, No. 3 (Winter, 1985)















A Geometric bronze statue from Olympia. Nick Stournaras and Nick Corbetis, eds.,







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