significance, but was meant as a phallic exhibition, a demonstration of power, a threat signal of exactly the same nature as
the helmets hammered into the shape of lion masks which appeared simultaneously. The guy in armour with his
Journal of Sport History, Vol. 12, No. 3 (Winter, 1985)
A Geometric bronze statue from Olympia. Nick Stournaras and Nick Corbetis, eds.,
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