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significance, but was meant as a phallic exhibition, a demonstration of power, a threat signal of exactly the same nature as

the helmets hammered into the shape of lion masks which appeared simultaneously. The guy in armour with his


Journal of Sport History, Vol. 12, No. 3 (Winter, 1985)

A Geometric bronze statue from Olympia. Nick Stournaras and Nick Corbetis, eds.,

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